Category: Whats On

REVIEW: Katerina Vrana presents About Sex

Lets talk about sex

By Myron My

Let’s talk about sex baby. If you like my body and you think I’m sexy. Let me play with your body make you real hot. Despite these three sentences being lyrics to three very well known songs about sex, they also encapsulate Katerina Vrana’s show, aptly titled About Sex.

Katerina Vrana

Born in Greece but having lived almost two decades in England, Vrana has a wealth of stories and anecdotes to share of these two cultures and their dealings with sex. Her impersonations of her family members, including her mother and father, are brilliant but it is when she talks about her 17-year-old brother asking her for sex advice that things really get cracking. One simple question from him is all it takes for the audience to be simultaneously shocked and howling in laughter.

Vrana covers a range of topics, from her first one-night stand to the differences between single sex, married sex, and gay and lesbian sex, however her focus is pretty much on sex pre-1994 and sex post-1994. Why 1994? Generally speaking, that’s when Internet porn took over the world and changed everyone’s ideas about what sex is and should be.

Vrana has great comedic timing on stage and her delivery and facial expressions of punch lines is impeccable. She knows exactly how far to push the envelope and then step back to let us take it all in before she gets straight back into it.

As an added bonus, Thursday night shows are performed in Greek, so it’s a perfect opportunity for those Greek grandchildren out there to take your grandparents out on the town for a laugh and some fun.

Vrana’s insights in About Sex are more than just cheap dick jokes and ‘wham-bang thank you ma’am’ type of comedy. Vrana is opening up discussion about sex so we are not ashamed or embarrassed by it or our bodies; after all, we all do it, so why shouldn’t we enjoy doing it and talking about it?

Venue: Elephant & Wheelbarrow, Cnr. Bourke and Exhibition St. Melbourne.

Season: Until 18 April | Thurs-Tue 8:30pm

Tickets: $20 Full | $15 Conc

Bookings: TixNoFee

REVIEW: Paul Culliver is The Best Newcomer

An endearing comedy

By Narelle Wood

Self-proclaimed Best Newcomer Paul Culliver delivers 4 ½ star comedy. Covering all the important topics from dating, nuclear war, fitness and a definitive solution to any human resource issues, Culliver’s comedic timing is brilliant.

Paul Culliver

Most of Culliver’s humour centres on self-deprecation and observational comedy, but as with most comedians, Culliver sees things from an exceptionally unique perspective. The performance space is quite intimate, and Culliver interacts with the audience with ease. This is especially evident in the off-the-cuff moments where things haven’t quite gone to plan, and a completely unfazed Culliver, takes it all in his stride.

I was a little worried at the beginning of the show as Culliver’s delivery seemed frenetic and he was talking so quickly I couldn’t quite catch what he was saying. Thankfully this didn’t last very long and the pace and atmosphere soon relaxed. The ending was a little philosophical for where I thought the show was heading; this aside it was a show full of chuckles.

Culliver is endearing and I especially liked the way he spoke to everyone as they left the venue. The show’s one of the shorter ones in the Comedy Festival and its late night, time slot would actually work really well for anyone looking to wrap up their evening with some great laughs.

Venue: Highlander Bar, 11a Highlander Lane, Melbourne

Season: Tue-Sat 9.45pm, until 18th April

Tickets: Full $15| Conc $10

Bookings: http://www.trybooking.com

REVIEW: Darebin Arts Speakeasy presents Backwards

A terrific hoot

by Rachel Holkner

Backwards is the result of a collaboration with students at Brunswick East Primary School and my burning question is, when they come to see the show, which parts do they recognise as their own? Is it the characters? Are there anecdotes they told Emily Taylor that have made their way into the script? Perhaps it is the huge variety of physicalities and tics of the people she portrays. It is simply impossible to tell as Taylor owns it all and is fully committed to her every moment on stage.

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Written and performed by Emily Taylor, Backwards is an exploration of childhood and the relationships between adults and children. But it’s not your traditional standup, it’s a one woman minimalist play. With a set made up of only the world’s ugliest kitchen chair, and with the ingenious sound design of Gus MacMillan, Taylor is able to convey half a dozen unique interior and exterior locations.

Her ten characters are people you have met. Possibly you will relate to one or two of them! (I may have…) Across a wide range of ages and backgrounds these are ordinary people turned up to maximum, stepping occasionally over into caricature. Taylor loves these characters, she shows no favouritism and as she scuttles, turns and twists between each one you quickly forget there is only one person on stage. Her performance is, as always, tight and consistent. She has a mastery of switching characters, and in keeping them clearly delineated without props, masks or costume changes.

My favourite moments were those when characters revealed their true nature to other characters leading to unexpected moments of connection. There are plenty of uproarious and outrageous moments interspersed with thoughtful pokes at the trappings and trials of modern life.

Backwards is clever and hilarious and although not really written for children, the one upper primary school aged child in the audience definitely expressed that he thought the whole thing was a terrific hoot.

 

Venue: Northcote Town Hall (Studio Two), 189 High St, Northcote

Season: Until April 18, Tues – Sat 7pm, Sun 6pm

Tickets: $23/$18/$15

Bookings: http://www.darebinarts.com.au/speakeasy

 

 

REVIEW: Bare Elements Productions presents A Dinner to Die For

A killer comedic dinner

By Myron My

I do love a good murder mystery. I’ve spent countless hours playing Cluedo (and watching the film religiously) and even hosted a few of my own murder mystery dinner parties. So when I saw one was being produced by Bare Elements Productions during the Melbourne International Comedy Festival, I knew I had to get involved.

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A Dinner to Die For is set in 1928, and we are invited to Lord Quinten Daventry’s (Craig Thompson) birthday dinner at his grand home. Invited are many of his good friends (and perhaps some of his not so good friends), including Fanny Farquar (Charlotte Strantzen), Great Uncle Bernie (Simon J Robinson), Captain Montague Smedley-Downes (Ben Loxham) and Gwendella Garavinah (Teagan Robertson). Over the course of the evening, secrets are revealed, love is declared and murder is committed, and this all before the main course is even served!

All the actors remained committed to their characters, improvising both with the guests and as the story progressed. Sure the story has a few holes and not everything runs smoothly but that’s also its charm. It’s over the top, high-camp fun and filled with lots of sexual innuendo and puns – it’s no accident that one of the characters is called Fanny.

The beauty of such an event is that you are free to engage in as much of the events as you like. If like me, you are a bit performance-inclined you can mingle with the actors and others guests as much as you like, but if you would prefer to sit back and watch the story unfold, you can. The only problem is, with only five actors and roughly twenty guests, there is only so much time you can engage with the characters and to give them a quick interrogation, but that’s probably me wanting more than my 15 minutes of fame.

An evening of séances, severed limbs and darkly held secrets are all part of the festivities at A Dinner to Die For. Personally speaking, the more you choose to involve yourself in the antics the more fun you are likely to have. There are only three shows left for its comedy festival run so book now. After all, your next meal could be your last.

Venue: The Retreat Hotel, 226 Nicholson St, Abbotsford

Season: Until 18 April | Sat 7.15pm

Tickets: $75 Full |

Bookings: Bare Elements Productions

REVIEW: Trifle Theatre company presents AVENUE Q

An unplifting transition into adulthood

By Myron My

Having seen the West End production six years ago (and remembering it strongly), I had high expectations for Trifle Theatre Company’s production of Avenue Q. Furthermore, I had some reservations as to whether it could match the magic of my original viewing, but within the first few minutes that doubt disappeared. We may only be in March but I can confidently say that this will be one of the best shows I see this year.

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The story follows a recent college graduate, Princeton (played by Jordan Pollard), who is a little wet behind the ears and entering the “real world”. Moving to Avenue Q (the best he can afford) he gets acquainted with the locals, including Kate Monster (played by Sarah Golding), Trekkie Monster (played by the wonderful Andy McDougall), married human couple Christmas Eve and Brian (Leah Lim and Michael Linder) and Gary Coleman (in a interesting casting choice, played by Zuleika Khan).

What follows is two hours of sharp and witty comedy and laughs as each character works towards finding their way in life. Despite the sexually charged innuendo and racy songs such as “Everyone’s A Little Bit Racist” and “The Internet Is For Porn”, there is much heart in these stories and that often-confusing transition into adulthood. The whole cast, including the ensemble, work seamlessly with the puppets and manage to create some human emotion through their movements, actions and speech.

Lighting work by Jason Bovaird captures the mood of the characters and the environment brilliantly and the stage design by Jacob Battista authentically replicates a shabby, down-town New York city block. The six piece band however, led by Musical Director David Wisken, are truly amazing in their unseen performance in a separate room to the small stage.

Avenue Q pushes boundaries between clever and lewd and the only way it succeeds is because puppets can get away with a lot more on stage than any actor could. With a big dose of disbelief, it perfectly blends the innocence of a childhood with the scary realisations of adulthood and creates an uplifting and affirming story about change and transition. Director Stephen Wheat should be congratulated on not only creating a show that is on par with its predecessors but also allowing it to form its own individuality and uniqueness.

I am strongly encouraging people to go and see this production, but the whole season has already completely sold out. Guess it really does suck to be you.

 

Venue: Chapel Off Chapel, 12 Little Chapel St, Prahran

Season: Until 11 April | Tue-Sun 8:00pm, Sat 2:00pm

Tickets: $43.50 Full | $38.50 Conc

Bookings: www.chapeloffchapel.com.au or 8290 7000

REVIEW: Is it Flirting, Or is it Not?

Lots of flirtatious fun

By Narelle Wood

Kelly Rose Ryan deals with the hard topics and questions that affect us all through her musical investigation, seeking answers to Is it Flirting, or is it Not? From scenarios dealing with the timing of a text message, a pat on the arm, or a ‘hey’ from your local barrister, no stone is left unturned in examining whether a simple interaction is the blossoming of life-long-love.

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Ryan is sassy in her portrayal of flirtatious women at all different stages of their lives. Beginning with the innocent schoolyard crushes to the more sophisticated negotiating of adult relationships, Ryan attempts to discover exactly what each potential romantic interaction means. The stories range from heart-breaking break-ups to Saturdays night in as a cat lady.

The musical numbers include R. Kelly and some suave Gershwin, each song adding another opportunity for some flirting analysis. In a fairly unobtrusive manner, Ryan asks for audience participation, requesting their opinions and advice on some of the more ambiguous flirting moments. On this particular night, there was no definitive answer and Ryan makes a very valid argument for us all to be much more like Prince Charming.

Is it Flirting, or is it Not? may not deliver the answers about what constitutes a flirtatious encounter but does deliver lots of laughs. A cute show that hits all the right notes resulting in a really fun and flirty show.

Venue: The Butterfly Club, Carson Place, Melbourne

Season: 2nd and 3rd April, 7pm

Tickets: Full $32| Conc $28

Bookings: http://www.thebutterflyclub.com/show/is-it-flirting-or-is-it-not

REVIEW: Aunty Donna

Sketches of comedic truth

By Narelle Wood

It was clear while lining up for this show that I didn’t really fit into the normal demographic of Aunty Donna’s target audience. So it was with a little trepidation that I went to what this show.

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The comedy trio of Mark Samual Bonanno, Broden Kelly and Zachary Ruane that is Aunty Donna provide a series of comedy sketches, which while all separate sketches do strangely come together in the end with the help of their nemesis comedy group the Bubble Bath Boys. Many of the funniest sketches are based on comedic truths, such as standing in queues, misreading situations and playing ball in the quadrangle.

The combination of music, dialogue and dance makes for a very energetic show that smoothly transitions from one sketch to the next. The comedic timing is perfect and while the show heads towards some ‘smutty’ comedy, it approaches the line but for me it never crossed it. This means the show is funny without being cringe worthy, and that I was happy to forgive being hit in the face with water.

Aunty Donna clearly has a following and I now understand why; there is something reminiscent of DAAS in their sketch comedy performance. While there are plenty of shows to select from in the Comedy Festival, but if sketch comedy is what makes you laugh most, make sure you catch Aunty Donna.

Venue: The Cube, ACMI, Federation Square

Season: 9.45pm until 19th April (Sundays 8.45pm), no show Mondays

Tickets: $27 Full | $22 Conc

Bookings: http://www.comedyfestival.com.au/2015/season/shows/aunty-donna

REVIEW: Dirty. Sexy. Politics

Vote Albert and Valentine

By Caitlin McGrane

Come for the satire, stay for the music.

There is little fanfare as Tom Albert and Sam Valentine stumble through the velvet curtain to take the stage in The Butterfly Club; and initially they seem to have been kicked on stage by their manager. Do not be fooled however, for behind their boyish exteriors beat two bitingly cynical political hearts. These two vagabonds begin with an emphatic plea to the room to have them as their elected representatives. Representatives of what, exactly, is slightly unclear but it’s definitely something to do with sex. All the innuendo and double entendres is a useful way to get the audience fired up initially, it’s just a shame this energy couldn’t have continued throughout.

dirty sexy politics

No doubt creative, intelligent and energetic performers, Dirty. Sexy. Politics has the makings of a great show, I’m just not sure that we haven’t heard some of what they’re saying before. Surely I can’t be the only person who’s heard the one about the party whip? However, two things captured and held my attention in this show: the music, which was entertaining, irreverent, and poignant in places; and the quick asides from the performers when they appeared to slip from the ‘script’.

Albert and Valentine (a double act name that rolls easily off the tongue) shine on stage as vaudevillian counterparts, and I can’t wait to see what they come up with next. I particularly enjoyed the unions song, and when Valentine singled out my companion as a likely candidate for sexual dysfunction. I laughed most of the way through the hour, and had a thoroughly good time. This election, I’m voting for Albert and Valentine.

Venue: The Butterfly Club, Carson Place, Melbourne

Season: Saturday 28th March 7pm and Sunday 29th March 6pm.

Price: Full $28 |Conc $25

Tickets: http://www.comedyfestival.com.au/2015/season/shows/dirty-sexy-politics

REVIEW: Quiet Achievers

A quietly improvised comedy

By Myron My

Performing an improvised comedy show can be more terrifying than performing stand up. You have no idea what’s going to happen next from both your fellow cast and the audience. In essence, you have no safety net. You’d think that’s risky enough but the Quiet Achievers have taken it a step further with their Melbourne International Comedy Festival show and taken away a comedian’s most powerful tool; their voice.

Quiet Achievers

With nothing but a musical soundtrack of 500 songs played at random, the Quiet Achievers (Andrew Strano and Charlie Sturgeon) set out to captivate us with a mixed bag of silent impro sketches. As with any impro show, there is always a chance scenes will not hit the mark and with this show there are moments when stories fizzle out with an awkward ending or the story gets convoluted and confusing.

However, the two are charming and affable enough to get the audience on side early on so even when things go haywire, we don’t mind and can still appreciate the performance. There are some brilliant moments from this talented duo though, including the kite flying love story and their story about the little bird that learnt how to stand up for itself.

Strano and Sturgeon are a great pair to watch on stage. Strano’s comedy man to Sturgeon’s straight man is highly complimentary and the two have a great connection on stage. They are constantly aware of each other and what they are doing; they work hard (but seemingly easily) at giving each other a good time and making their partner look good. They happily accept every offer in advancing the story with confidence and a sense of fun.

 

There are a number of improvised comedy shows on during the Melbourne International Comedy Festival, but if you’re looking for something a little different, a little riskier but very rewarding, then the Quiet Achievers is the show for you.

 

Venue: Tuxedo Cat, 17-23 Wills St, Melbourne

Season: Until 4 April | Mon – Sat 6pm, Sun 5pm (no Wednesday show)

Tickets: $15 Full | $12 Conc

Bookings: Try Booking

REVIEW: Global Creatures presents WALKING WITH DINOSAURS

A Spectacular Journey

By Narelle Wood

I’m not sure who was more excited to see Walking with Dinosaurs; my two-year-old nephew or myself. Before the show even started it was clear from the set that the staging and effects were going to be something spectacular and the show did not disappoint.

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Walking with Dinosaurs is a trip back in time when dinosaurs dominated and the world was known as Pangaea. The journey is narrated by Palaeontologist, Dr. Huxley (Andrew Blackman). Huxley introduces the dinosaurs and also explains the changes in the Earth’s landscape and how it affected the dinosaurs. I really appreciated the scientific explanations and walked out having learnt lots of new things about the evolution of the world.

The stars of the show are most certainly the dinosaurs, which are awe inspiring. Puppeteers inside the dinosaur control the smaller dinosaurs such as the Utah Raptors. At first glance these dinosaurs look adorable, but the movement is eerily lifelike and their behaviour is clearly menacing. We also met some ‘good’ dinosaurs, herbivores like the gigantic Brachiosaurus, whose sheer size seemed to consume Hisense Arena.

The dinosaurs are exceptionally impressive but so are the other elements that are subtle in comparison to the dinosaurs yet work together to make the show. The musical soundtrack is reminiscent of Jurassic Park and provides a perfect background to all the sounds and roars that you would expect to hear in the Crustaceous and Jurassic periods. The soundtrack is loud and the dinosaur’s roars are even louder and some of the little people sitting around me were a little scared. The backdrops and lighting are used to reflect the changes in the world’s atmosphere and provide really interesting transitions to new scenes.

Walking with Dinosaurs was an arena spectacular; this is one of the most incredible things I have seen. Despite some scary moments, my nephew was still roaring after we left and hands down the mummy dinosaur, the terrifying T-Rex was his favourite dinosaur of the night. For any dinosaur lover, young or old, this is not to be missed.

 

Venue: Hisense Arena

Season: 27th March 7pm, 28th March 11am, 3pm, 7pm, 29th March 11am, 3pm

Tickets: From $45

Bookings: premier.ticketek.com.au