Events, Opportunities, Performances, Review, Theatre, Whats On

REVIEW: An Appointment with J Dark

Do you dare?

By Bradley Storer

The event began mysteriously:  a text message calling me to a rendezvous with a stranger named J Dark. Sent directions as if on a treasure hunt, I attended with an equal mixture of anticipation and dread for the coming events.

In this journey through the catacombic backrooms of the North Melbourne Town Hall, the participant is guided through a series of questions, choices, locations, situations and judgements, all incredibly personal but never exploitative, in search of revelation and new knowledge.

The enigmatic but gentle J Dark is at times therapist, partner, confidant, monster, and lover – the only constant in your guide, much like the labyrinth itself, is their unpredictability and mutability.

A piece like this is incredibly difficult to review, as each person will of course experience something as unique and varied as they themselves.  To describe any further would ruin the surprise and inherent joy of this piece, which is the thrill and danger of interacting directly with a performer (who may or may not be a performer) without the restrictions of traditional theatrical performance – like free-falling without a safety net.

While I cannot vouch for everyone’s enjoyment or revelation, this evening left me with a series of beautiful and striking images which haunt me still – a pale vampiric face lit by candlelight; the gloomy gothic ring of striking bells; a mesmerizing love song delivered directly in my ear; and, most important of all, an unopened door behind which lies a terrifying and thrilling adventure.

An Appointment with J Dark is an amazing and vibrant piece of theatre for those willing to take the plunge into the unknown.

Venue: Arts House, North Melbourne Town Hall, 521 Queensberry Street, North Melbourne

Season: Wednesday, 18 April – Sunday, 6 May 2012

Time: Wed – Sun, 3pm, 6pm, 7pm, 8pm and 9pm. 35 – 50 minutes no interval (pending audience engagement).

Tickets: Full $20 / Conc $15

Bookings: artshouse.com.au or 03 9322 3713

Events, Performances, Review, Theatre, Whats On

Review: MTC’s Boy Girl Wall

A theatre experience that is innovative, intriguing and highly engaging

By Christine Moffat

“Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It’s pretty clear that their respective unsatisfying lives would improve enormously if they just met each other. But with literally a wall between them, this seems highly improbable.”

This is the scant information ‘about the play’ that the programme divulges; a tantalising three sentences that give you no idea of the dynamic and entertaining 90 minutes you are about to embark on.

Boy Girl Wall is a story about life and love, not just those of the two protagonists, but also of the people, and especially the seemingly inanimate objects, around them.

It is not a story I can set out in this review without removing the magic of discovery as you watch the story unfold.  Suffice then to say, this show is an unorthodox, amusing, entertaining ‘trampoline-like’ experience.

Upon entering the theatre and being seated, you are presented with a set by Jonathon Oxlade that resembles a giant fold-up ping-pong table.  A woman sits to one side of the stage waiting.  This turns out to be Neridah Waters, musical designer and musician and understated partner-in-crime to Lucas Stibbard, the hilarious one-man-band-of-a-performer who delivers Boy Girl Wall.

The implied ping-pong effect is not diminished once the show is underway.  Stibbard appears to be made of energy, delivering an hour and a half of entertaining, intelligent, rapid-fire dialogue (and at least 25 personalities!) and story-telling in a way that makes you feel that the time flew by.

This show is a perfect example of minimalism at its best, where less truly is more.  The production has not much more than a cast of one, a musician, that table-tennis like set (much of which is ‘dressed’ in real time with a stick of chalk), a xylophone and a ruler.

The lighting design by Keith Clark apparently consisted simply of two large retro light globes and an old school overhead projector: all of which are used to great effect for comedy but also, surprisingly for lovely moments of pathos as well.

The ingredients for Boy Girl Wall may not sound like much of a theatrical shopping list, but with these few items this production delivers an evening of surprise, laughter, love and an unexpected dash of optimism for good measure.

Venue: The MTC Theatre, Lawler Studio

Season Dates: 17 April to 4 May 2012

Tickets: From $40; Under 30s just $25

Booking Details: The MTC Theatre Box Office 03 8688 0800 or www.mtc.com.au

Events, Festivals, Musical Theatre, Performances, Review, Whats On

REVIEW: The Musical of Musicals: The Musical

Hilarious for everyone, but a special theatre treat for the real fans…

By Meg Richardson

This is one musical that lives up to its name, for this satirical parody has been crafted to satisfy even the most obsessive musical theatre fans. As part of MICF this year, The Musical of Musicals: The Musical takes one simple plot line and tells it 5 times over in completely different styles, so while never repetitive, it is entirely hilarious.

The plot follows a young woman (Emma Hoy) who can’t pay her rent, her boyfriend (Jack Brown) and her older confidant (Bianca Bruce) and their constant battles with their demanding landlord (Josiah Lulham). Audiences also enjoy a one-man ensemble/narrator (Michael Leaver). The 5 famous composers that are acknowledged are Rodgers & Hammerstein, Stephen Sondheim, Jerry Herman, Andrew Lloyd Webber and Kander & Ebb. For reasons obvious to anyone that has seen any of the works of these artists, each time the story is repeated in another of these styles, there is a totally different outcome.

MoMTM provides its fair share of laugh-out-loud, slaptstick moments that any audience would enjoy, but it is the true musical theatre fans that will really appreciate this show. Each section is full of references to the composers’ works from obvious musical cues to subtle dialogue references that only tickle the funny bones of those in the audience with the most astute theatrical knowledge. There is also a risky amount of blatant criticism of some of the trademark indulgences of the legends that almost invites a gasp of horror at the delivery.

The cast work seamlessly together as all but Lulham have worked together on the show previously. While they were all a joy to watch, Bruce’s stage presence is hard to tear your eyes from. Her comic delivery of diva Abby in Dear Abby (the Jerry Herman tribute) was enough to have viewers in stitches. The whole cast performed the show without microphones, but due to their ample talent, this was never an issue. Along with this finely-tuned cast, musical director Simon Bruckard uses only a single piano to provide fantastic support to his players and created some magical moments for the audience to enjoy.

Technically, the show could have had more support. There were times when it wasn’t clear if the follow spot was lagging behind as a gag or if the operator had actually fallen asleep but aside from that, it all moved quite smoothly.

Overall MoMTM was a performance worthy of the deafening applause it received that can only be created by a true musical theatre audience.

Venue: The Open Stage @ The University of Melbourne
757 Swanston Street, Parkville, VIC, 3010
Dates: 18th April – 21st April
Times: Wednesday – Friday 7.30pm, Saturday 2.30pm & 7.30pm
Tickets: Adults $22, Concession $18, Groups (5 or more) $15
Bookings: www.themusicalofmusicals.com

Events, Festivals, Performances, Review, Theatre, Whats On

Review: THE CAUTIONARY TALE OF BARRY VON PEABODY AND THE SCARLET ST THEATRE

It’s the little things in life…

By Adam Tonking

Prepare yourself for an avalanche of cute. The Cautionary Tale of Barry Von Peabody and the Scarlet St Theatre is an epic tale of death and redemption, about a child from Berlin in 1938 who grows up to sacrifice everyone he loves as rebellion against his strict German father. And it’s performed by Jacob Williams’ adorable and tiny little puppets.

The story itself sounds bleak and depressing, but ultimately the story is unimportant, and not even particularly well told. The focus here is the gorgeous puppets, and the artistry of Williams and his tiny little theatre. There is just no end to the detail Williams has put into his show – tiny little red velvet curtains on a tiny little stage with tiny little footlights and gargoyles. And it is damn cute.

The characters are eccentric-looking creatures, and Williams brings them to life through his impressive talent. After all this is an epic tale, covering several decades, different locations, and many different characters. All of this is manipulated by Williams alone: the cast, the set-changes, lighting cues, the special effects – he even manages to involve the audience. It is a monumental feat, and Williams pulls it off brilliantly.

Restricting the audience to fifteen at a time I assume was mainly for the logistics of ensuring everyone could see the tiny little puppets, but it also lent the show a sense of intimacy and comradery, not only with the audience but with the puppets and the puppetmaster as well. The novelty of all this adorableness never grows tiresome, and even stretches to cover any gaps in pacing and storytelling. This is all about the cute characters, adorable staging, and the clever manipulator Williams. Sit back, admire the technical brilliance, and prepare to say “Awwww!” a lot.

The Cautionary Tale of Barry Von Peabody and the Scarlet St Theatre is on at La Mama Theatre, 205 Faraday Street, Carlton 3053 from Tuesday 10 April till Sunday 22 April, at 6.30pm Tuesday, 8.30pm Wednesday, 9pm Thursday and Friday, and 4pm Saturday and Sunday. Book at www.lamama.com.au or by calling 9347 6142.

Cabaret, Cabaret Review, Events, Festivals, Performances, Whats On

REVIEW: Jenny Wynter in AN UNEXPECTED VARIETY SHOW

Frank and funny, with an unforgettable finale

By Bradley Storer

Entering in complete darkness Jenny Wynter begins her cabaret, An Unexpected Variety Show, exhorting her audience to reflect in the dark on their own lives and choices, before launching into the opening song bearing the same title as the show, marvelling at the many twists and turns one life can take.

This autobiographical show for the Melbourne International Comedy Festival takes us on a tour of episodes of Wynter’s life, broken up with a wide stylistic range of original songs.

The main theme is the attempt to reconcile youthful dreams of fame and success with the responsibilities of adulthood. There are hilarious numbers about youthful affairs, mother/daughter relationships, and married life all interspersed with costumes changes and (at one inspired moment) puppetry.

While always maintaining a mercurial atmosphere, Wynter does not shy from quite confronting material even from the beginning, touching on her experiences as a young mother, the death of a close family member as a child, and the struggle to balance family life and life as a performer.

Wynter gives off the brassiness and bravado of a veteran showgirl, but with the mature vulnerability of one for whom the show has ended years before. While not always strong vocally, she has the distinct features and versatile singing voice of a classic character actress, ably jumping from a throaty and voluptuous saloon song to a Tina Turner-style soul number and even rapping with aplomb.

While it may not be not mind-blowing, Wynter is a charming performer and has written a show with a big heart and many beautiful moments throughout, in particular one gorgeous and touching segment where Wynter harmonizes with the voice of her own mother (herself a singer), with the finale leaving a smile which is impossible to erase.

Venue: The Butterfly Club, 204 Bank St, South Melbourne

Dates: April 10th – 22nd

Time: Tuesday/Wednesday/Sunday 6pm, Thursday/Friday/Saturday 7pm

Tickets: At The Butterfly Club, or online at www.thebutterflyclub.com

Full $27
Concession $24
Group (8 or more) $23
Tightarse Tuesday $15

Events, Festivals, Performances, Review, Stand-Up Comedy, Whats On

Review: CELIA PACQUOLA is Delayed

Tons of charm, and hilarious story-telling

By Myron My

Celia Pacquola is brilliant and I will explain why. Her Melbourne International Comedy Festival show Delayed is full of energy and spark. Pacquola has quite a skill in storytelling and you can really see her getting into the moment as she relays the misadventures of her life as an expat in London.

Most notably this is seen in her eyes which express so much: almost a life of their own! In fact, if there were an award for the comedian with the most expressive eyes, Pacquola would win without a doubt.

Thankfully though, she doesn’t fall into the trap a lot of female comedians do and begin talking about being desperate or terrible with men. Pacquola looks at other much hard-hitting subjects like flight attendants who control time, bitch hair and lies our parents told us.

Covering quite an array of topics in 60 minutes could make for a bit of a convoluted and haphazard (word of the day) set, but Pacquola makes it all flow rhythmically and tie in with her long-term long-distance relationship story arc.

The intimacy of the room – helped by the full house – added to the relationship Pacquola established with her audience as she successfully talks about her two-year gap year without ever boring us. With extra shows being added due to popular demand, Pacquola’s show is one that cannot be missed.

Pacquola mentioned in her show that using your thumbs in a dance move will always make it look bad, because thumbs make anything look bad. I would like to prove her wrong and give two thumbs up for Delayed (and yes, I made a dad joke).

VENUE
Melbourne Town Hall
DATES
Until 22 April
TIMES
Tue-Sat 8.30pm
Sun 7.30pm
Fri 13th & Sat 14th April 6pm
PRICES
Full Fri & Sat $28
Full Wed-Thu
Full Sun $26
BOOKINGS
Ticketmaster 1300 660 013

Events, Festivals, Performances, Review, Stand-Up Comedy, Whats On

REVIEW: Matt Okine is BEING BLACK & CHICKEN & S#%T

Not for everyone, but definitely worth the watch

By Myron My

When I decided to see some new comedians for the Melbourne International Comedy Festival, I was instantly attracted to Matt Okine for one particular reason: the name of his show: Being Black & Chicken & S#%t. This was definitely someone with my type of humour.

There was a strong audience warmth projected towards Okine and this is in no doubt the result of the immediate interaction he created with us and within seconds of being on stage. Through his comic discussion of the mundane things in life, Okine connects and bonds with us all including topics such as wheelie bins, sushi trains and – the crux of his routine – fishing.

Okine shares some personal moments with us and the majority of his routine is about a fishing trip with his father and the back-story to that. You can see that when Okine discusses this, he isn’t acting but is being open and honest with his audience, which is an extremely positive quality to have as a comedian.

There were a few moments, which I believe, were a little flat but judging by the audience reaction, I was definitely in the minority. And I am all about not being restricted to political correctness in comedy; it can be offensive and that’s the risk you take as a comedian but used correctly can be extremely funny. I just think there needs to be a build-up to it or a common theme otherwise you run the risk of being controversial for the sake of being controversial.

Okine is definitely a face to keep an eye on. It may not have been the sort of humour I was looking for, but there were enough laughs to consider seeing this rising star of the comedy circuit again. And I also got to learn some very interesting yet disturbing facts about the wonders of sea creatures.

VENUE
Melbourne Town Hall
DATE
Until 22 April
TIMES
Tue-Sat 9.30pm
Sun 8.30pm
PRICES
Full Fri & Sat $19
Full Tue-Thu & Sun $15
BOOKINGS
Ticketmaster: 1300 660 013

Events, Late Night Shows, Performances, Review, Whats On

Review: IMPRO MELBOURNE’s Late Night Impro

Get spontaneous for MICF!

By Myron My

For those who are looking for something a little different for this year’s Melbourne International Comedy Festival, look no further than this, Impro Melbourne’s Late Night Impro performance with their season of Stuck In The Middle.

Improvised comedy is non-scripted comedy based on spontaneity from the performers. Think Who’s Line Is It Anyway? and Thank God You’re Here and you’ll have a pretty good idea on what this is all about.

The premise of this 55-minute, mind-blowing, pure-craziness-of-a-show involves one performer being ‘stuck’ in the middle of the stage with five or six improvisers coming at them with various games and scenes that they must participate in. There is no break for our lone target as the predators surround him. Only sheer smarts and wits will get him out of this alive.

The beauty of improvisation is that every night you treated to a completely different performance. No two shows are ever the same. The improvisers are always different as are the special guests, who have so far included Rama Nicholas, Cal Wilson, Andrew Mclelland and Eric Amber being “stuck in the middle”.

Highlights from Saturday night’s performance were some white male gangsta-rapping, tackling homosexuality in 1970s Spain and a brief history of how Napoleon won Waterloo.  The audience feedback afterwards was nothing but positive, especially from people who had never seen this sort of comedy performance before.

With only two nights left this is the show you must see if you are looking for something inspiring and completely different to stand-up performances during the 2012 Comedy Festival.

VENUE
Melbourne Town Hall
DATES
13 – 14 April
TIMES
Fri-Sat 11pm
PRICES
Full $20
, Concession $15
BOOKINGS
Ticketmaster: 1300 660 013

Events, Festivals, Performances, Review, Stand-Up Comedy, Whats On

REVIEW: Joel Creasey’s NAKED

A young comedian on the rise

By Myron My

I first saw Joel Creasey perform at the 2010 Melbourne International Comedy Festival. That was his debut on the circuit and I was very impressed with the wit and the casual bitchiness that he delivered.

Fast-forward two years later and I am sitting at the Melbourne Town Hall watching Joel Creasey’s Naked. (Please take note of the ‘s in that sentence).

Two things I notice immediately. There is a lot more confidence and punch to his routine and the room is a bit bigger than his debut gig venue. Creasey is clearly moving up in the stand-up food-chain. On the flip side, the wrist is still limp so I know it’s still the same guy standing on stage making me laugh.

In Naked, Creasey looks at four themes: fear, secrets, nudity and Xena. I’m not quite sure how Xena fits in with the other three, but hey, let’s go with it! And that’s what you need to do when watching one of Creasey’s shows. He’s a bit like a kid in a candy store: talking really excitedly about everything and anything that pops into his head. Fortunately that anything is usually quite funny.

It’s no secret that Creasey is gay (or at least it isn’t now) and the topic of homosexuality is undoubtedly brought up in the show. Even though it is done with humour, there is a hint of seriousness and social commentary on the difficulties that gay youth experience whilst growing up. Thirty seconds later and you’re hearing about Creasey’s grandmother’s speed-dating experience. You just don’t know what is going to come out of his mouth next.

At 21, Creasey definitely has a lot of potential to just get bigger and bigger in the comedy scene. His self-deprecating humour is a winner with audiences and there is even a lovely surprise for them after the “credits roll”.

VENUE
Melb Town Hall – Backstage Room

DATES
Until 22 April

TIMES
Mon 9.30pm
Tue-Sat 9.45pm
Sun 8.45pm

PRICES
Full $22
Concession $18

BOOKINGS
Ticketmaster 1300 660 013 or at the door

Events, Festivals, Performances, Review, Stand-Up Comedy, Whats On

Review: VICTORIA HEALY in Independent Woman Part 2

Girl power unplugged

By Myron My

In the back of Melbourne bar, Rue Bebelons, Victoria Healy takes to the stage to perform her 2012 Melbourne International Comedy Festival show, Independent Woman Part 2.

With a swagger of “girl power”-themed musical interludes, Healy discusses various moments of a young girl’s life when she begins to define herself as a woman. She’s not a girl, not yet a woman. All she needs is time…(and I’m going to stop there).

Beginning with “Wannabe” by the Spice Girls, Healy reminisces about her glorious high school days where she would happily compare herself to Scary Spice and later, the unfortunate self-appointing membership to the girl gang; The Fish Crew. Oh, the folly of youth.

Healy continues to get in touch with her feminine side with the aide of asrtists like Shania Twain, Beyonce, and Corinne Bailey Rae. We see Healy’s trials and tribulations regarding hair maintenance, the efforts women will go to to win a jelly-wrestling competition (I really hope this story is true) and even rhythmic gymnastics gets an honourable mention.

On a technical note, my only criticism of the show would be the lighting. Just a touch brighter would have made a world of difference in my eyes – literally. Despite the small stage area, Healy uses it well and this is where you see her improvisation experience and knowledge come into play. The characters she creates throughout her stories, such as the racist who decides to eat in Chinatown, are well thought-out caricatures and deliver the laughs where needed. You almost forget that it’s a one-woman show at times due to their realness.

Ultimately this story is Healy’s journey to becoming a confident, sexy and dare I say it; independent (there, I did) woman. After the show, my two female companions spent a good half an hour not only discussing what Victoria had said but agreeing with it and relaying their similar experiences. At one point, I even found myself relating to things.

Regardless of your generational letter, with her warm and welcoming ways, it seems Healy’s Independent Woman Part 2 is hitting a chord with women and men alike. Zig-a-zag-ah!

VENUE
Rue Bebelons Upstairs
267 Little Lonsdale St
DATES
until 22 April
TIMES
Mon 6pm
Fri-Sun 9.45pm
PRICES
Full $20
 (Cheap Mondays $16)
BOOKINGS
Online or at the door