Tag: satire

Review: AUSTEN TAYSHUS is The Merchant of Menace

Merciless night of comedy with an Australian icon

By Anastasia Russell-Head

The Butterfly Club’s small performance space was comfortably almost-filled on Saturday night for Australian icon, the raw and politically incorrect Austen Tayshus.

Known to many for his hit 1983 single Australiana, he is a veteran of the stand-up scene, having performed over 10,000 shows.

Taking to the stage in his trademark dark suit and shades, he proceeded to spin a web of comedic tangents, sometimes with a punchline or two thrown in for good measure.

The subjects of his humour were shown no mercy, with Jews, Muslims, South Africans, and Australians alike in the firing line.

Most of this is hilariously funny, especially his imitations of accents, which are spot-on. Some of it however, sails rather close to the wind, and in my opinion several of the Muslim jokes in particular go a bit too far.

That said, his wit is unprejudiced, and everyone is tarred with the same brush – himself, his career, even the audience, who are berated if they are not laughing enough, and teased when they laugh too much.

The audience is often a source of comedic ammunition – people’s marriages, jobs, state-of-sobriety – but no-one is offended; rather we all feel part of the joke.

Genuinely funny, clever, and an extremely engaging performer, Austen Tayshus is one-of-a-kind – catch him while and when you can.

You may even be treated to a live rendition of Australiana if you’re lucky!

Austen Tayshus: The Merchant of Menace played at The Butterfly Club Nov 5 2011.

REVIEW: EastEnd Cabaret

“Discovered in a bedsit over a gin-joint in London…”

While Victor Victoria hugs his/her piano accordian lovingly and begins to play another darkly funny pop song-cum-polka, the luscious Bernadette Byrne flutters her outrageous eyelashes at us, concedes to put down the gin, and unleashes her wonderful voice in chanteuse parody.  

EastEnd Cabaret is what two Aussie artists have brought back from a performing sejourn in London, and while the opening night show was a little haphazard and uneven in places, the two characters demonstrated impressive musicanship and delicious comic potential.

Photo courtesy of Laura Oliver

Jennifer Bryne‘s immersion into her alter-ego as bawdy Russian femme fatale is beguiling: her repartee with the audience and improvised witticisms are excellent, and her voice has a lovely mix of rich warmth and brash character sound to keep her blackly comedic songs in real cabaret style.   As her androgenous multi-intrumentalist, Vicky Falconer-Prichard‘s Victor Victoria is a talented musician and a funny man-lady in her own right, though her delivery is often too low and apologetic for all the audience to appreciate the cutsy comic one-liners.

While there is some taut, clever writing in places, the real strength of the show lies in the reworked songs: Madonna, Right Said Fred and Devo make for sensational neo-cabaret fodder, and the satirical rewrites and arrangements were hilarious.   The opening night audience adored recognising the introductory riffs, but the suggestive proved more popular than the blatant when they were more reserved about the original songs where the broad ribald humour tended to only get nervous laughs.

A few elements were not entirely successful: the ‘divide and conquer’ approach to audience interaction where the characters regularly began separate conversations or spoke over each other’s songs served to distract and pull focus rather than complement the other’s comedy and performance, while a more deadpan style of humour from Victor would perhaps be a better foil to Bernie’s energy and animation.   The pseudo-communist interludes felt clumsy: some context or preamble in introducing them and flagging their connection to the characters and relevance to the show would also have been worthwhile.

Photo courtesy of Laura Oliver

Nonetheless, EastEnd Cabaret will clearly continue to flourish and evolve,  the mis-matched characters are adapt at exploring the shadowy regions of creepy, comic and cute, and hopefully these two very talented artists will become regulars in the Melbourne cabaret scene where their edgy eccentric style is in the process of becoming just what our audiences love.

Venue: The Butterfly Club
Dates: 10th – 13th February, 2011
Tickets: $27/ $24 (con)
Times: Thurs – Sat: 9pm, Sun: 8pm
Bookings: www.thebutterflyclub.com