Tag: Rachel Rai

Rachel Rai is MANXIOUS

Engaging comedy cabaret wins hearts

By Myron My

Manxious: the nerves and anxiety one exhibits while waiting for a man to text back. It’s a serious affliction and something that Rachel Rai want to share with us in her cabaret show Manxious. Despite its worrisome theme, it’s a fun show that not only showcases Rai’s impressive ability to sing and perform, but also gives the audience plenty of laughs.

Manxious.jpg

Rai intersperses a diverse number of songs throughout the evening as she goes through the excruciating process of waiting for a response to her perfectly created text. These numbers have been reimagined in ways that give them new life and celebrate Rai’s versatility as a singer. Her inclusion of some iconic Australian songs would have to be the musical highlight of Manxious, including her audience-rousing cover of John Farnham’s “Pressure Down”. Another surprise was the theme from Home And Away, which was the last musical number I would ever expect to hear in a cabaret show, but Rai manages to make it feel like a genuine, heartfelt song.

The entire audience is able to relate to the emotional gamut being portrayed and Rai’s subtle and not-so subtle facial expressions are particularly fun to watch. Manxious is full of witty one-liners and surprises, including the star’s loving ode to what many would consider a standard late-night item for a truly great weekend. Rai’s delivery of punch-lines feels satisfyingly natural and receives many laughs, especially when she states, matter-of-factly, that she’d prefer her date to be dead than find herself being rejected. Being in the world of dating myself, it would be fair to say that never a truer or more rational thought was spoken

While the space is not huge, Rai manages to not only squeeze a bed, a three-piece band (including a piano and drum kit) and a singer on stage, but she also finds the room to smash out some pretty funky dance moves throughout the show. The idea of this band performing in her “bedroom” adds to the hyper-reality of Manxious, allowing Rai to draw on the smallest of moments and creatively explode them into a massive drama or cause for concern.

Throughout Manxious there were many times when audience members exclaimed “That is me!” and “ I do that!” While admittedly most of those exclamations came from my friends, this really is a strongly appealing show where everyone should be able to see themselves in Rai, and walk away laughing at how foolish we can be when it comes to our search for love.

Venue: The Butterfly Club, 5 Carson Place, Melbourne
Season:
 Until 25 June | 10pm

Tickets:
 $32 Full | $28 Conc

Bookings:
The Butterfly Club

Review: HOUSEWARMING – A New Musical

Home is where the heart is

By Bradley Storer

Housewarming, a new musical composed and written by William Hannagan-McKinna and Belinda Jenkin, opens on its lead character Tommy (Daniel Benge) on the threshold of a new adventure: the perilous plunge into share-housing.

Like the similar work which precedes it on Theatreworks double-bill, Give My Regards to Broady, Housewarming deals with universal themes of growing up and the struggle to move beyond the past.

Accompanying Tommy on the journey to independence is a mismatched group of fellow post-adolescents.

There’s Mia (Rachel Rai), the sheltered mummy’s girl with borderline OCD; Kelly (Elle Richards), the spoiled and self-aggrandizing rich girl; Luke (Drew Collet), the hard-drinking uni dropout; the dreadlocked Jo (Dave Barclay) and his ethereal, reiki-toting ex-girlfriend Daisy (played by Jenkin herself).

While these outlines may seem almost stereotypical in their construction, one of the joys of the evening is watching these skilled actors fill out and develop their characters beyond generic characteristics.

As the plot proceeds, unexpected twists reveal hidden depths to each character and their relationships with their housemates delving into unforeseen territory.

The ensemble are all strong performers and singers, and each are given a moment to shine with excellently composed moments of self-revelation and remembrance – highlights are Kelly’s ensemble-supported diva number ‘I Insist’, Daisy’s delicately heart-breaking ‘I Grew My Hair So Long’ and Tommy’s explosive solo ‘I Am Bruised’.

In comparison to the wacky comic mania of Broady, Housewarming approaches the same topic with seriousness and compassion while still retaining a light-hearted touch.

Aided by a committed and talented ensemble, Housewarming is a fantastic evening at the theatre, ranging from heart-warming to wrenching to youthfully optimistic all in the same show.

Housewarming: A New Musical is in a double-billing this month with Give My Regards to Broady!

Dates: 28 Nov – Dec 10 at Theatre Works, St Kilda

Times: Nov 30 to Dec 3 at 8:45pm / Dec 5-10 at 7:00pm