Redemption is not at hand
By Narelle Wood
I like clever, witty, well-constructed comedy and unfortunately I found DreamSong to be absolutely none of these. While the premise of the show (a money-hungry evangelist constructing a second coming of Jesus) certainly had potential, what ensued was two hours of clichéd cheap shots at a whole range of issues, religions and minorities that I felt were extremely offensive, and I’m not easily offended.
Pastor Richard Sunday (Ben Prendergast) has realised his church is in financial peril, and along with the help of his wife Whitney (Chelsea Gibb), the prime minster (Mike Mcleish), the prime minster’s advisor (Alana Tranter) and a wannabe actor (Connor Crawford), he stages a fraudulent resurrection of the son of God. Meanwhile the pastor’s daughter April (Emily Langridge) is trying to talk the real Jesus Christ (Brent Hill) out of a crisis of confidence. Prendergast certainly looked the part of evangelic preacher but his character lacked charisma and charm that was needed to make the deception believable. Evan Lever as Neville Gruber was fabulous as the eager-to-please church follower, but it was Hill’s portrayal of Jesus Christ that actually provided the only comical parts to the show: it was pity that his character had less than twenty minutes of stage time.
Author of DreamSong, Hugo Chiarella, seems unsure about what faction of society he takes issue with. His supposedly black comedy (in my opinion it’s rarely funny) about a non-specific church mocks soldiers dying in Afghanistan, the mentally disabled, Judaism, Christianity, Islam, abortions, people suffering and dying from AIDS, homosexuality, victims of paedophilia and animal cruelty. Excluding the cast, the one redeeming feature of this musical is in fact the music provided by Robert Tripolino. I can’t say I’m a fan or have that much knowledge of Christian pop, but the range and style of music seemed perfectly matched to the premise of the show.
Perhaps a warning at the show about the offensive content may have placated how offended I was, and this then may have enabled me to see beyond those cheap shots to a concept that is worth exploring and what attracted me to the show in the first place.
Venue: Theatre Works, St Kilda
Season: Tues-Sat at 7:30pm, Sat at 2:00pm, Sun at 5:00pm, until 20th April
Tickets: Full $35| Conc $30